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The Beatles never entirely shook off the Catholicism of their youth
Their songs included powerful and touching hymns to Mary and to creation
By William Oddie on Monday, 19 July 2010
In This Article
Cardinal George Pell, Here Comes the Sun, Imagine, John Lennon, L'Osservatore Romano, Let It Be, Mary, the BeatlesShare
About the author
William Oddie
Dr William Oddie is a leading English Catholic writer and broadcaster. He edited The Catholic Herald from 1998 to 2004 and is the author of The Roman Option and Chesterton and the Romance of Orthodoxy.
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The Beatles grew up in Liverpool at a time when Catholic children learnt all the basic prayers by heart (CNS file photo/Capitol Records)
I find myself in an unusual and slightly strange situation: I am in disagreement with Cardinal George Pell. This has never happened to me before, and I’m not sure that I like it. In a sermon last week, the cardinal had a go at the Beatles, and in particular John Lennon, whom he described as “the best known of the Beatles, who once claimed they were better known than Jesus Christ”.
Well, so he did: but John Lennon wasn’t the same phenomenon at all as the Beatles. Cardinal Pell attacked in particular Imagine, in which, as the cardinal reminds us, “Lennon urged his listeners to dream of a world where there was no heaven, no hell… Lennon was working for a peace resulting from the disappearance of religion… We are gathering some of the fruits of his mistaken teaching today…” All true: but Imagine had nothing to do with the Beatles, it was a much later solo production.
Imagine is undoubtedly a hateful piece, with all that ludicrous blether about “the brotherhood of man”, which reminded me at the time of something Harold Macmillan, that great friend of Mgr Ronnie Knox, once said: “How can you have the brotherhood of man, if you don’t accept the Fatherhood of God?”
But I repeat: John Lennon wasn’t the Beatles. And as Cardinal Pell also said: “The Beatles had more than a touch of genius.” As the Osservatore Romano put it: “It’s true… swept up by their success, they lived dissolute and uninhibited lives, but, listening to their songs, all of this seems distant and meaningless. Their beautiful melodies… live on like precious jewels.”
One could go on and on, not simply about the melodies, but the words: the pathos and deep understanding of loneliness of Eleanor Rigby; the almost Chestertonian gratitude for the beauty of creation that comes over in songs like Here Comes the Sun, and:
John Lennon, in particular, seems to have totally shaken off the Catholicism of his childhood: but did he really? And what about the rest of them? They were brought up, don’t forget, in the Liverpool Catholicism of pre-Worlock days, when children learned all the basic Catholic prayers by heart: that tends to stick, even if at an unconscious level. And on at least one occasion, it emerges fully in what is for me the most beautiful (in both words and melody) of all their songs, Let It Be: a title and refrain which surely in context can only be a reference to the Angelus response “let it be to me according to your word”, which they must all have repeated hundreds of times. And if this song isn’t a most touching and powerful Marian hymn, I don’t know what else it could possibly be. It’s surely quite explicit:
Listen to it again, all the way through; I cannot even read its lyrics out loud without tears. I rest my case.