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Fr Lombardi is wrong: the judgment on crucifixes isn’t about Europe’s Christian roots
The judges just think that displaying a crucifix is harmless: so why not?
By William Oddie on Tuesday, 22 March 2011
In This Article
crucifixes, Europe, European Court of Human Rights, Fr Federico Lombardi, religious freedom, secularisationShare
About the author
William Oddie
Dr William Oddie is a leading English Catholic writer and broadcaster. He edited The Catholic Herald from 1998 to 2004 and is the author of The Roman Option and Chesterton and the Romance of Orthodoxy.
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A crucifix hangs in a school classroom in Rome (CNS photo/Reuters)
Here is an edited version of the opening paragraphs of a Zenit news story:
Now, the whole point of the judgment just handed down by the grandiloquently named “Grand Chamber” of the European Court of Human Rights is that it simply isn’t about any kind of recognition that (as Fr Lombardi puts it) “the culture of the rights of man must not be in opposition to the religious foundations of European civilisation”. Basically, it said that crucifixes don’t make any difference one way or another so far as the promotion of Christianity in general or the Catholic religion are concerned, so you may as well allow them: “The Court … observed that a crucifix on a wall was an essentially passive symbol whose influence on pupils was not comparable to that of didactic speech or participation in religious activities. Therefore there was no violation of fundamental rights protected by the Convention” [my italics]. Well. An essentially “passive symbol”, eh? No “didactic” influence? Still, if that’s what they think, and as a result won’t interfere with the Italians to stop them putting up crucifixes, why not?
What is actually much more interesting about the court’s full judgment is that it gives a lengthy account, with generous quotations, of the original judgment in an Italian court which was subsequently set aside by the European Court, a reversal now itself reversed by the highest European Court, the “Grand Chamber” (maybe it doesn’t sound so silly in French). The Italian judgment found in favour of keeping crucifixes, not for their religious value, but because they symbolised the moral values which in the end led to the Enlightenment and the modern Italian secular state. Neat, eh? This the Italian court did by delivering itself of a lengthy disquisition on Italian cultural history which had nothing whatever to do with legal argument at all, long and windy stuff (wonderfully Italian: you simply can’t imagine it in an English courtroom), a lot of which is actually rather interesting stuff.
Here is a short extract from the original Italian judgment; I think you’ll enjoy it:
Cor! Karst landscapes, underground rivers; how very unlike the home life of our own dear Queen’s legal system. And there’s a lot more, a lot more where that came from: do have a look at it. It reminded me, by contrast, of the wonderful courtroom scene in Chesterton’s novel The Ball and the Cross, in which the accused has perceived an insult to Our Lady in a headline displayed at a newspaper office: when the magistrate asks him why he has smashed the editor’s window, his answer is unintelligible to him:
As Chesterton had put it in the opening chapter of Heretics, “[t]he old restriction meant that only the orthodox were allowed to discuss religion. Modern liberty means that nobody is allowed to discuss it. Good taste, the last and vilest of human superstitions, has succeeded in silencing us where all the rest have failed.” But not in Italy, God bless ‘em all; in an Italian court you can go on at length about anything you like: even religion.